So far, so good – this is a typical Christie joint, full of archetypical figures perceived through a prism of English snobbery and a healthy mix of humor, mystery, and unexpected pathos. Money is the key to everything, though it's impolite to mention such things in high society. As a companion for the trip, this alcoholic writer brings her daughter, Rosalie, whose main motivation seems to be protecting her mother from the ruination Linnet's accusations may bring upon them. There's your motive, though, in the end, Otterbourne is more victim than assailant. She's a romance novelist who dresses like an affluent fortune teller, spends her days drinking her fortune away, and is currently being sued by Linnet for libel. Within this whodunnit intrigue, Angela Lansbury plays Salome Otterbourne, mayhap the oddest and most comedic figure in the lot. As always in Christie's writing, everyone's a suspect, and plenty of red herrings manifest along the path to truth. She's the first murder victim in the picture, igniting the plot and Poirot's investigation. That means the action is primarily set on the steamer Karnak, touring the Nile from Shellaf to Wadi Halfa, carrying a cadre of wealthy guests, which includes the newlywed socialite Linnet Doyle. Though some changes were made in the adaptation process, the movie's relatively faithful to the original text, maintaining its basic narrative and tone, most of the characters, and essential details. To honor the star, let's recall one of her most colorful film creations, a foray into Agatha Christie's world of murder mysteries that almost nabbed Lansbury a fourth Oscar nomination – the 1978 Death on the Nile…Īdapted from Agatha Christie's 1937 homonymous novel, Death on the Nile details another misadventure of the Belgian detective Hercule Poirot. How can one come close to articulating what a loss this is for show business? There was simply no one else quite like Angela Lansbury. Lansbury worked to the end, maintaining a last vestige of Old Hollywood alive with her. It just seemed like she would live forever, a primordial force eternally present in our lives. So to read news of her death was shocking, even though Lansbury was almost 97 – she passed less than a week before her birthday. For almost 80 years, she entertained people worldwide, be it on the stages of Broadway or on TV as Jessica Fletcher, from roles of unspeakable villainy to cherished nurturers in children's media. From Gaslight to Glass Onion, Angela Lansbury had one extraordinary career whose sheer grandeur is hard to overstate.
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